Five-Week Plan
A five-week sequence from visual grammar and closure to a drafted and tested comic page.
Open resource →A five-week unit on visual grammar and narrative depth. Students learn how panels, gutters, layout, colour and words create meaning, then plan and draft a short comic of their own. The packet is generic, public and free of school-specific material.
What this packet is. It contains 16 public resources, including this overview. Students move from visual grammar and closure to page layout, colour, character design, word-image relationships, narrative structure, close analysis and comic planning. No copyrighted comic pages or panels are reproduced. Success criteria are formative and labelled as such.
| Week | Focus |
|---|---|
| Week 1 | Visual grammar. Explore line, shape, colour, space and symbol; analyse panels, gutters and the reader's work of closure. |
| Week 2 | Page and character. Design a reading path, choose a palette, build a character through silhouette and expression, and balance words with images. |
| Week 3 | Narrative and analysis. Shape a beat sheet, analyse a page from observation to claim, and track conflict and motif across a text. |
| Week 4 | Plan and draft. Write a premise and beat sheet, script four pages, thumbnail the layout and draft one finished page. |
| Week 5 | Refine and present. Revise after peer feedback, present a page and its choices, consider representation and transfer the analysis to an unfamiliar page. |
A five-week sequence from visual grammar and closure to a drafted and tested comic page.
Open resource →Formative outcomes and success criteria for reading, analysing and making graphic narrative.
Open resource →Line, shape, colour, texture, space and symbol, and how each makes meaning in a panel.
Open resource →The frame, the gap and how panels control time, space and attention.
Open resource →How readers connect panels, fill gaps and build a story from what is not shown.
Open resource →Grids, tiers, splash pages and the order in which the eye moves across a page.
Open resource →Palette, contrast, saturation and symbolic colour, and how light directs the reader.
Open resource →Silhouette, costume, posture and facial expression, and how design tells the reader who a character is.
Open resource →Captions, dialogue, sound effects, lettering and silence, and how text and image combine.
Open resource →Beats, turning points, page turns and the shape of a short comic story.
Open resource →A step-by-step routine from panel observation to a claim about the whole graphic novel.
Open resource →Premise, character, conflict, page plan and thumbnails for a short graphic narrative.
Open resource →Thumbnail, pencil, ink and letter, then test the page with a reader.
Open resource →Pacing, differentiation, sensitive content and practical setup for the five-week graphic novel unit.
Open resource →What this packet is built from, what is linked rather than copied, and what it deliberately leaves out.
Open resource →Read the teacher notes for text selection, pacing, differentiation, sensitive content and materials. Differentiation is built into the teacher notes rather than published as a separate student page. The sources and provenance page records what is public, what is linked rather than copied, and what the packet deliberately leaves out. Differentiation is built into the teacher notes rather than published as a separate student page. The sources and provenance page records what is public, what is linked rather than copied, and what the packet deliberately leaves out.
No assessment instrument. This packet does not publish confidential class briefs, scores, bands, weights, task numbers, due dates or test papers. It is a teaching and formative-feedback resource. Teachers keep their own school instruments offline.
Last reviewed: October 2026. Counts on this page match the public HTML pages in this folder.