Visual Hierarchy and Layout
Hierarchy is the order in which the eye finds information. If everything shouts, nothing is heard.
Success criteria
- I can identify the first, second, and third things a viewer notices.
- I can use size, contrast, position, and white space to build a reading path.
- I can group related information and separate unrelated information.
- I can test whether my layout works at a glance.
The tools of hierarchy
| Tool | What it does | Risk |
|---|---|---|
| Size | Makes the title or key number dominant. | Too many large elements flatten the hierarchy. |
| Contrast | Separates text from background and emphasis from support. | Low contrast makes text unreadable. |
| Position | Top and left positions are read earlier in English. | Assuming every culture reads in the same direction. |
| White space | Separates groups and gives the eye rest. | Fear of emptiness leads to clutter. |
| Colour | Creates emphasis and groups related ideas. | Colour-only meaning excludes some readers. |
| Alignment | Creates order and invisible lines. | Random centring makes the page feel unstable. |
| Proximity | Puts related items close together. | Equal spacing makes everything look equally related. |
| Repetition | Reuses type, colour, and icon style for consistency. | Too many repeated elements become noise. |
| Isolation | Gives one element space so it stands out. | Isolation without meaning is just a gap. |
Reading paths
Z path
Useful for a simple poster-like layout: top-left title, top-right key image, diagonal to the main claim, bottom-right action.
F path
Useful for text-heavy explainers: strong top heading, a second horizontal section, then a vertical scan down the left edge.
Single column
Useful for mobile viewing and step-by-step explanation. Keep line length comfortable and sections clearly separated.
Three-column grid
Useful for causes, impacts, and solutions. Each column should have the same internal structure so comparison is easy.
Model layout
This schematic shows a three-column structure with a dominant claim and a clear action.
Build a grid
- Set margins. Nothing important should touch the edge.
- Choose two or three columns. More columns make a school infographic harder to read.
- Place the title and standfirst across the top.
- Give each section a heading, one main idea, and one visual.
- Align edges. A few strong alignment lines make the page feel designed.
- Leave white space between sections. Do not fill every gap.
- Place the source line and action where the eye finishes.
Type hierarchy
| Level | Job | Guidance |
|---|---|---|
| Title | Make the main claim or question visible | Largest text; short; high contrast. |
| Standfirst | Explain the issue and why it matters | One or two sentences; slightly larger than body. |
| Section headings | Guide the scan | Consistent size and style; verbs or clear nouns. |
| Body | Explain the evidence | Short lines; readable size; avoid long paragraphs. |
| Captions and source | Explain visuals and credit evidence | Smaller, but still readable; never hidden. |
Use no more than two typefaces. One serif for headings and one sans serif for body is enough. Do not use decorative fonts for body text.
The three tests
Three-second test
Show the infographic for three seconds. Can the viewer say what it is about and what they should notice?
Squint test
Blur your eyes or step back. Can you still see the title, main sections, and key number?
Thumb test
View it on a phone-sized screen. Is the body text readable without zooming? Do sections stack sensibly?
Layout planner
| Decision | My choice | Why it helps the audience |
|---|---|---|
| Reading path | ||
| Grid | ||
| Focal point | ||
| Section order | ||
| White-space strategy | ||
| Typefaces and sizes | ||
| Source and action placement |
Common mistakes
- Centring every element, so nothing has a clear edge or order.
- Using five fonts and four icon styles.
- Putting text over a busy photo.
- Making the decoration larger than the evidence.
- Leaving no white space because the page feels "empty".
- Hiding the source in tiny text at the very bottom.
- Adding arrows to fix a layout that is already confusing.
Assessment link: visual language and design usually carry a large share of the marks. Your teacher is looking for skilled, thoughtful visual choices and a clear, engaging layout, not clutter.