Close-Reading Routine
Year 11 ATAR Literature • Combined revision • Close reading
Close reading is a repeatable sequence, not a talent. Use the same five steps for poetry, short fiction and novels, and adjust the kind of evidence you look for.
The five steps
| Step | Question | What to write |
| 1. Locate | Where does this passage sit, and what happens before and after it? | Its place in the text and why this moment matters. |
| 2. Observe | What do you notice at the level of word, sentence, image, sound or punctuation? | Two or three specific details, not a paraphrase. |
| 3. Name | What technique or structural choice is it? If you cannot name it, describe it precisely. | A term only if it helps; otherwise a clear description. |
| 4. Explain effect | What does it make the reader notice, feel or expect? How? | An explanation that connects the choice to the reader's experience. |
| 5. Link | What does it contribute to the whole text's argument or pattern? | A claim that matters beyond the single passage. |
Worked example: Lawson, "The Drover's Wife"
Lawson's opening describes "bush with no horizon, for the country is flat" and repeats the word "bush".
| Step | Annotation |
| Locate | The opening description, before the snake arrives. It establishes the world the family lives in. |
| Observe | The repetition of "bush", the flat country, the absence of a horizon, the negative phrasing. |
| Name | Repetition, negation and a flat, unbroken sentence rhythm. |
| Explain effect | The landscape feels endless and enclosed at the same time. There is nowhere to look and nowhere to go, so isolation becomes spatial rather than merely emotional. |
| Link | The description supports the story's concern with endurance: the house is a fragile boundary against a world that cannot be escaped, only survived. |
What to look for in each text group
| Text group | Look for |
| Romantic Poetry | A turn, a repeated sound, a loaded image, a shift in address, the form of a stanza. |
| Australian Short Stories | A detail of setting, a voice, a comic or violent turn, an ending that refuses comfort. |
| Picnic at Hanging Rock | A gap in the record, a description of the Rock, a shift in point of view, an image of the school. |
| Oryx and Crake | A brand name, a memory, a shift between tenses, an invented animal, a moment of ethical choice. |
From observation to claim
| Move | Example |
| Observation | Lawson repeats "bush" and removes the horizon. |
| Effect | The setting feels both endless and enclosed. |
| Claim | The story makes isolation a condition of the landscape, not a temporary feeling. |
Common errors
- Technique spotting. Naming a device without explaining what it does.
- Paraphrase. Rewriting the passage instead of analysing it.
- Quote dumping. Using a long quotation and letting it speak for itself.
- Ignoring structure. Treating a passage as if its position in the text did not matter.
- Overclaiming. Turning one detail into a claim about the whole text without checking the pattern.
Use the poetry, short-fiction, Picnic and Oryx pages to choose passages for practice.