Teacher Notes
These notes support a five-week unit on special-occasion speaking for Year 9. They cover planning, differentiation, grief and loss, cultural protocol, participation and classroom safety. They do not prescribe a school program or a formal reporting instrument.
Purpose and scope
This packet is a teaching resource, not a faculty plan. It offers a sequence, explanatory pages, models and activities. Teachers should adapt the pace, occasions and level of challenge to their class. The unit assumes no prior public speaking experience and no specialist knowledge of protocol.
The emphasis is on fit: the speech should serve the occasion, not the speaker's performance. Students should speak in every lesson, even if only for thirty seconds. The final speech is an opportunity to integrate the skills, not a high-pressure test.
Planning the five weeks
| Week | Planning priority | Checkpoint |
|---|---|---|
| 1 | Establish the difference between occasion types and purposes. | Can students analyse an occasion? |
| 2 | Teach welcomes, acknowledgements and tributes. | Can students use one specific detail? |
| 3 | Work on toasts, stories and gentle humour. | Can students deliver a thirty-second toast? |
| 4 | Practise brevity, protocol and staging. | Can students cut a draft by a third? |
| 5 | Write, rehearse and deliver. | Can students explain one change and its effect? |
Creating a safe speaking classroom
- Establish norms: listen respectfully, no laughter at mistakes, no unsolicited personal questions.
- Start with pair and small-group speeches before whole-class delivery.
- Offer choice in occasion, format and audience size.
- Model imperfection: demonstrate a stumble and recover from it.
- Separate practice from performance.
- Allow students to record privately or speak to the teacher only.
- Never require disclosure of personal grief, illness or family information.
Grief and loss
Some students will have experienced bereavement, and a unit on eulogies can bring that into the room. Do not require students to write about a real death. Offer fictional, historical or generic occasions, and allow students to choose a tribute to a living person or a public figure instead.
| Situation | Response |
|---|---|
| A student becomes distressed | Pause the activity; offer a quiet space; follow the school's support process. |
| A student discloses a recent death | Respond privately and calmly; do not ask for detail in front of the class. |
| A eulogy task feels too close | Offer an alternative occasion or a written reflection. |
| A student wants to honour a real person | Check consent with the family where appropriate; allow anonymised details. |
| The class is affected by a death | Consult the school's wellbeing team before proceeding. |
Provide support information appropriate to your school and context. Do not use a student's grief as teaching material.
Cultural protocol
Protocol varies by place and community. Do not invent an Acknowledgement of Country or a traditional welcome. Use the wording recommended by local Aboriginal or Torres Strait Islander organisations, land councils or Elders. Explain the difference between a Welcome to Country, which is given by a Traditional Owner or Elder, and an Acknowledgement of Country, which can be given by anyone following local guidance.
- Check the correct Traditional Owners for your area.
- Invite a Traditional Owner or Elder for a Welcome to Country well in advance.
- Do not ask an Aboriginal or Torres Strait Islander student to perform a welcome.
- Follow faith and cultural expectations for the event.
- Avoid costumes, accents or sacred material used as decoration.
- Ask before using a community's language or imagery.
Sensitive content
| Content | Consideration | Response |
|---|---|---|
| Family stories | Students may disclose conflict, illness or separation. | Do not require disclosure; allow fictional or composite examples. |
| Death and funerals | May be distressing. | Offer alternatives; use content notes; provide support information. |
| Religion and culture | Students may hold strong beliefs. | Use respectful language; avoid stereotyping; follow local guidance. |
| Humour and roasts | Can target or humiliate. | Set norms; ban punching down; require consent for roasts. |
| Photographs and recordings | Privacy and consent. | Ask before using images; do not publish student work without permission. |
| Alcohol at toasts | Students may be underage or abstain. | Use non-alcoholic drinks; never pressure participation. |
Differentiation
| Need | Support | Extension |
|---|---|---|
| Confidence | Pair speaking, short turns, scripted opening. | Chair a ceremony or introduce another speaker. |
| Reading and writing | Sentence frames, keyword cards, oral planning. | Write a longer tribute or a commemorative speech. |
| EAL/D | Pre-teach vocabulary; allow first-language planning; model pronunciation without erasing accent. | Compare ceremonial conventions across cultures. |
| Neurodiversity | Clear steps, predictable routines, visual timers, quiet rehearsal space. | Offer a choice of format and extended thinking time. |
| Gifted students | Compress the basics; focus on nuance and brevity. | Ask for a speech that handles a complex or contested occasion. |
| Vision impairment | Large-print scripts, audio cues, described visuals. | Ask students to design an accessible ceremony. |
| Hearing impairment | Transcripts, captions, clear sight lines, microphone. | Ask students to analyse a captioned ceremony. |
| Physical access | Step-free space, seated speaking option, flexible microphone use. | Ask students to plan an accessible event. |
| Anxiety or selective mutism | Non-verbal roles, written speeches, recorded audio, small audience. | Ask students to design and lead a low-stakes ceremony. |
Participation without performance
Students can develop occasional-speaking skills without delivering to the whole class. Offer:
- pair or small-group speeches;
- recorded audio with no audience;
- a written speech read by someone else with permission;
- a support role such as timing, staging, protocol research or feedback;
- a design role for a program or ceremony;
- a chair or master-of-ceremonies role shared with another student.
Formative feedback
- Focus on one or two choices per task.
- Use the “I noticed ... and it made me ...” sentence.
- Ask the student what they intended before offering a correction.
- Model the next step rather than rewriting the speech.
- Give time to try the change immediately.
- Record progress through a short reflection, not a score.
Classroom protocols
- Preview any audio, video or website before showing it.
- Check the accuracy of names, titles and protocol.
- Do not require students to disclose or perform personal material.
- Use a calm, predictable routine for speaking tasks.
- Offer a quiet space or an alternative task if a student is distressed.
- Check consent before recording or sharing student work.
- Follow school policy on cultural and controversial content.
No assessment instrument. This packet contains no test papers, marking keys, scores, bands, weightings or reporting schedules. It is a teaching and formative-feedback resource. Teachers keep their own school instruments offline.
Troubleshooting
| Problem | Possible response |
|---|---|
| Students write a general speech. | Return to the occasion analysis and the one focus. |
| Students use generic praise. | Require one specific detail. |
| Students run long. | Cut a third; rehearse with a timer. |
| Students avoid protocol. | Provide local guidance; ask an organiser. |
| Students use hurtful humour. | Revisit norms; stop the behaviour; teach inclusive alternatives. |
| Students are distressed by the topic. | Offer an alternative; follow the school's support process. |
| The room is too large or noisy. | Use a microphone, reduce audience size or move to a smaller space. |
Review checklist
- Do students speak in every lesson?
- Is every speech shaped by a specific occasion?
- Is there one clear focus and one specific detail?
- Is protocol checked with a reliable local source?
- Is feedback specific and focused on one or two choices?
- Are there low-stakes alternatives to whole-class performance?
- Is humour inclusive and safe?
- Do students reflect on whether the speech fitted the occasion?
This page is a teaching support document, not a formal reporting instrument. It contains no scores, bands, weightings or confidential school material.