Delivering an Impromptu
This page brings the unit together in a complete impromptu process. It is not a script; it is a sequence you can run in your head before and during a response.
The full sequence
| Stage | Time | What to do |
|---|---|---|
| Read | 3 seconds | Read the prompt twice; find the key word. |
| Angle | 5 seconds | Choose one specific response you can support. |
| Structure | 5 seconds | Choose PREP, past–present–future or problem–solution. |
| Opening | 2 seconds | Choose a first sentence that is not filler. |
| Speak | 45–75 seconds | One point, one example, one connection. |
| Close | 10 seconds | Return to the opening or restate the point. |
| Stop | 1 second | Hold still; do not add a trailing sentence. |
A worked example
Prompt: “A map is not the territory.”
| Step | Response |
|---|---|
| Angle | Maps simplify the world, and that simplification is both useful and dangerous. |
| Structure | PREP. |
| Opening | “The map in my phone knows the quickest route to school. It does not know which gate is locked.” |
| Reason | “A map selects what matters for a purpose and leaves everything else out.” |
| Example | “A weather map shows rain, not the puddle on the oval.” |
| Close | “The map is useful because it is not the territory. It is dangerous when we forget that.” |
This is an original teaching example, not a transcript of a real speech.
Delivery checklist
- I started within ten seconds.
- I stated an angle early.
- I used a recognisable structure.
- I gave one specific example.
- I looked at the audience.
- I slowed down at the opening and close.
- I paused instead of filling silence.
- I landed the close before the time limit.
Voice and body
| Element | What to aim for | Common problem |
|---|---|---|
| Volume | Audible at the back of the room. | Trailing off at the end of sentences. |
| Pace | Slow opening; varied middle. | Rushing the first sentence. |
| Pitch | Natural variation. | Monotone under pressure. |
| Pause | Deliberate silence. | Filling with “um”. |
| Stance | Balanced; feet planted. | Rocking or pacing. |
| Gesture | Purposeful; supports meaning. | Fidgeting with hands. |
| Eye contact | Three zones. | Looking at the ceiling or floor. |
| Face | Matches the content. | Frozen smile or blank stare. |
If the prompt is difficult
- Define the key word.
- Narrow the angle.
- Use a personal example.
- Compare it to something familiar.
- Say what you would need to know to answer fully.
- Close with the point you can make.
Reflection
After a response, write 100–200 words:
- What angle did you choose?
- Which structure did you use?
- Where did you feel most confident?
- Where did you lose the thread, and how did you recover?
- What is one change you would make next time?
Planning card
| Element | Your notes |
|---|---|
| Prompt key word | |
| Angle | |
| Structure | |
| First sentence | |
| Example | |
| Final sentence | |
| Recovery move |
Common errors
- Trying to cover the whole prompt. Choose one angle.
- Starting with an apology. Begin with the speech.
- No example. The response stays abstract.
- Running over time. Cut the middle, not the close.
- Adding a new point at the end. It weakens the close.
- Not reflecting. The next response repeats the same habits.
Next, read the teacher notes for planning and differentiation. The sources and provenance page records what is original and what is excluded.