Outcomes and Skills
Year 9 HEAP • Poetry: Edgar Allan Poe • Outcomes
The unit builds a connected set of skills: hearing the music of a poem, describing what it does, explaining how it does it, and judging what it means. The outcomes describe the whole five weeks, not a single piece of work.
Unit outcomes
- Explain how Poe's poems create Gothic atmosphere and emotional pressure.
- Analyse sound, rhythm, rhyme, repetition and refrain.
- Analyse imagery, symbolism and the macabre with precision.
- Explain how form and structure shape meaning.
- Distinguish the poet from the speaker and analyse persona and tone.
- Explain how setting and atmosphere contribute to meaning.
- Build a close reading and a comparison from specific textual evidence.
- Create an original creative or oral response that uses poetic techniques purposefully.
How the skills connect
| Skill | What it looks like | How to practise it |
| Listening | Hearing stress, pace, rhyme and repetition before naming them. | Listen once without a copy, then follow along. |
| Reading aloud | Using breath, pause and stress to make sense audible. | Rehearse two lines and compare two readings. |
| Description | Using precise terms for sound, form and imagery. | Annotate a stanza with a consistent code. |
| Analysis | Connecting a specific choice to an effect on the reader. | Write one paragraph with two short quotations. |
| Interpretation | Building a contestable reading from patterns across a poem. | Test a claim against a second stanza. |
| Comparison | Using a shared basis to explain similarity and difference. | Complete a comparison grid, then write one paragraph. |
| Creation | Using Poe's techniques in an original piece. | Draft a vignette, stanza or soundscape and reflect. |
| Performance | Making interpretive choices audible and visible. | Rehearse, perform and revise after feedback. |
I can statements
- I can explain what makes a poem Gothic.
- I can hear and mark stressed and unstressed syllables.
- I can explain how rhyme and refrain shape a reader's expectations.
- I can identify imagery by sense and explain its effect.
- I can explain the difference between a symbol and a decorative image.
- I can map a poem's stanzas, turns and repetitions.
- I can distinguish the poet from the speaker.
- I can describe a speaker's tone using evidence.
- I can explain how setting creates atmosphere.
- I can build a close reading from a short quotation.
- I can compare two poems using a shared basis.
- I can create or perform a response that fits the poem's mood and meaning.
Success criteria for analysis
| Element | A strong response | A weaker response |
| Claim | Makes a contestable point about how the poem works. | Names a theme or says the poem is “dark”. |
| Evidence | Uses a short, accurate quotation and a line reference. | Paraphrases vaguely or quotes a whole stanza. |
| Analysis | Explains how the choice produces an effect. | Names the technique and assumes the effect is obvious. |
| Terminology | Uses terms such as metre, refrain and assonance accurately. | Uses jargon without explanation or mislabels it. |
| Structure | Moves logically from claim to evidence to conclusion. | Lists observations without a through-line. |
| Voice | Writes clearly and avoids overclaiming. | Uses melodrama or claims the poet's feelings as fact. |
| Context | Uses Gothic or nineteenth-century context where it illuminates the text. | Adds a biography paragraph unrelated to the argument. |
Key terms
| Term | Working definition |
| Prosody | The study of rhythm, stress, metre and sound in poetry. |
| Metre | The recurring pattern of stressed and unstressed syllables. |
| Foot | A unit of metre, such as an iamb or a trochee. |
| Iamb | An unstressed syllable followed by a stressed one (da-DUM). |
| Trochee | A stressed syllable followed by an unstressed one (DUM-da). |
| Anapaest | Two unstressed syllables followed by a stressed one (da-da-DUM). |
| Catalectic | A line that is missing a syllable or foot at the end. |
| End rhyme | Rhyme at the end of lines. |
| Internal rhyme | Rhyme within a line. |
| Slant rhyme | An approximate rhyme, such as “morrow” and “borrow”. |
| Refrain | A repeated line, phrase or word. |
| Alliteration | Repetition of consonant sounds at the start of nearby words. |
| Assonance | Repetition of vowel sounds in nearby words. |
| Consonance | Repetition of consonant sounds within or at the end of words. |
| Onomatopoeia | A word that imitates a sound. |
| Imagery | Language that appeals to the senses. |
| Symbol | An object or image that carries meaning beyond its literal sense. |
| Persona | The voice or character created by the poet. |
| Tone | The speaker's attitude, inferred from language and rhythm. |
| Mood | The feeling created in the reader. |
| Volta | A turn in thought or feeling, often near the end of a poem. |
| Gothic | A mode interested in fear, decay, the supernatural and the limits of reason. |
| Macabre | Imagery concerned with death, corpses, tombs and decay. |
| Uncanny | The strangely familiar; something that unsettles because it is both known and alien. |
Knowledge and skills
Knowledge
- Poe's place in nineteenth-century American writing.
- Features of the Gothic mode.
- Core terms for sound, form and imagery.
- The difference between speaker and poet.
- How repetition and refrain shape meaning.
Skills
- Reading aloud with control and purpose.
- Annotating a poem for sound and image.
- Writing a claim-evidence-analysis paragraph.
- Comparing two poems on a shared basis.
- Creating or performing an original response.
Next, read Poe, context and the Gothic for the historical and literary background. The sound and prosody page begins the close work on rhythm.