L
LESSPLAN
Mr. Heneghan • Secondary English & Lit
← Poetry: Edgar Allan Poe packet

Outcomes and Skills

Year 9 HEAP • Poetry: Edgar Allan Poe • Outcomes

The unit builds a connected set of skills: hearing the music of a poem, describing what it does, explaining how it does it, and judging what it means. The outcomes describe the whole five weeks, not a single piece of work.

Unit outcomes

How the skills connect

SkillWhat it looks likeHow to practise it
ListeningHearing stress, pace, rhyme and repetition before naming them.Listen once without a copy, then follow along.
Reading aloudUsing breath, pause and stress to make sense audible.Rehearse two lines and compare two readings.
DescriptionUsing precise terms for sound, form and imagery.Annotate a stanza with a consistent code.
AnalysisConnecting a specific choice to an effect on the reader.Write one paragraph with two short quotations.
InterpretationBuilding a contestable reading from patterns across a poem.Test a claim against a second stanza.
ComparisonUsing a shared basis to explain similarity and difference.Complete a comparison grid, then write one paragraph.
CreationUsing Poe's techniques in an original piece.Draft a vignette, stanza or soundscape and reflect.
PerformanceMaking interpretive choices audible and visible.Rehearse, perform and revise after feedback.

I can statements

Success criteria for analysis

ElementA strong responseA weaker response
ClaimMakes a contestable point about how the poem works.Names a theme or says the poem is “dark”.
EvidenceUses a short, accurate quotation and a line reference.Paraphrases vaguely or quotes a whole stanza.
AnalysisExplains how the choice produces an effect.Names the technique and assumes the effect is obvious.
TerminologyUses terms such as metre, refrain and assonance accurately.Uses jargon without explanation or mislabels it.
StructureMoves logically from claim to evidence to conclusion.Lists observations without a through-line.
VoiceWrites clearly and avoids overclaiming.Uses melodrama or claims the poet's feelings as fact.
ContextUses Gothic or nineteenth-century context where it illuminates the text.Adds a biography paragraph unrelated to the argument.

Key terms

TermWorking definition
ProsodyThe study of rhythm, stress, metre and sound in poetry.
MetreThe recurring pattern of stressed and unstressed syllables.
FootA unit of metre, such as an iamb or a trochee.
IambAn unstressed syllable followed by a stressed one (da-DUM).
TrocheeA stressed syllable followed by an unstressed one (DUM-da).
AnapaestTwo unstressed syllables followed by a stressed one (da-da-DUM).
CatalecticA line that is missing a syllable or foot at the end.
End rhymeRhyme at the end of lines.
Internal rhymeRhyme within a line.
Slant rhymeAn approximate rhyme, such as “morrow” and “borrow”.
RefrainA repeated line, phrase or word.
AlliterationRepetition of consonant sounds at the start of nearby words.
AssonanceRepetition of vowel sounds in nearby words.
ConsonanceRepetition of consonant sounds within or at the end of words.
OnomatopoeiaA word that imitates a sound.
ImageryLanguage that appeals to the senses.
SymbolAn object or image that carries meaning beyond its literal sense.
PersonaThe voice or character created by the poet.
ToneThe speaker's attitude, inferred from language and rhythm.
MoodThe feeling created in the reader.
VoltaA turn in thought or feeling, often near the end of a poem.
GothicA mode interested in fear, decay, the supernatural and the limits of reason.
MacabreImagery concerned with death, corpses, tombs and decay.
UncannyThe strangely familiar; something that unsettles because it is both known and alien.

Knowledge and skills

Knowledge

  • Poe's place in nineteenth-century American writing.
  • Features of the Gothic mode.
  • Core terms for sound, form and imagery.
  • The difference between speaker and poet.
  • How repetition and refrain shape meaning.

Skills

  • Reading aloud with control and purpose.
  • Annotating a poem for sound and image.
  • Writing a claim-evidence-analysis paragraph.
  • Comparing two poems on a shared basis.
  • Creating or performing an original response.

Next, read Poe, context and the Gothic for the historical and literary background. The sound and prosody page begins the close work on rhythm.