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LESSPLAN
Mr. Heneghan • Secondary English & Lit
← Persuasion packet

Visual and Media Rhetoric

Year 9 HEAP • Persuasion • Visual media

Images are arguments. A photograph frames a subject in a particular way, a colour palette sets a mood, and a font tells the audience what kind of message to expect. These choices can support the words or quietly contradict them.

The visual situation

ElementQuestionWhat it can communicate
SubjectWho or what is shown, and who or what is absent?Who matters, who is affected and who is responsible.
FramingIs the shot close, wide, high or low?Intimacy, scale, vulnerability or authority.
GazeDoes the subject look at the viewer, away or down?Connection, appeal, shame or contemplation.
ColourWhat dominates, and what is muted?Urgency, calm, warning, nostalgia or hope.
LightIs the scene bright, shadowed or backlit?Optimism, secrecy, threat or focus.
TypeIs the font formal, handwritten, bold or small?Authority, intimacy, urgency or delicacy.
LayoutWhere does the eye go first, second and third?The hierarchy of the message.
SoundWhat music, voice, silence or noise is used?Emotional tone and pace.

Reading a campaign image

Use the same discipline as close reading. Start with what is literally there, then move to effect, then to purpose.

StepQuestionSentence starter
ObserveWhat exactly is in the frame?"The image shows..."
AnalyseHow is it composed and lit?"The low camera angle makes..."
InterpretWhat does this suggest to this audience?"For students, this may suggest..."
EvaluateDoes it serve the campaign's purpose?"This supports the claim because..."

Worked example: a poster about heat

A campaign about shade on a school walkway uses a wide photograph of the exposed path at midday. The frame includes a narrow strip of shadow and several students crowded into it. The caption reads: "There is room in the shade. There is no room in the sun."

ChoiceEffectRisk
Wide shotShows the scale of the exposed area and the smallness of the shade.The people in the photograph may be identifiable.
High contrastMakes the heat visible and the shaded strip look like a refuge.Can oversimplify the range of experiences.
Short captionCreates a clear contrast the eye can read in two seconds.The claim about cost and maintenance is not visible.
No logo or brandingFeels like a student observation rather than an advertisement.The audience may not know who is responsible for the campaign.

Type and layout

ChoiceTypical effectWhen to avoid it
Large, bold headingUrgency and confidence.When the issue calls for calm, detailed explanation.
Handwritten fontPersonal and informal.When the campaign needs to look authoritative.
Lots of white spaceFocus and confidence.When the audience needs step-by-step information.
Dense text blockDetail and seriousness.When the poster will be read while walking past.
High-contrast coloursAttention and urgency.When the colours carry a meaning the campaign has not explained.

Accessibility is part of persuasion

An inaccessible campaign excludes part of its audience, which weakens both its ethics and its reach.

Image ethics

QuestionWhy it matters
Do we have permission to use this image?Privacy and copyright are legal and ethical obligations.
Can the people in it be identified?Consent must be informed and specific.
Does the image show someone in a vulnerable moment?Dignity matters more than a dramatic image.
Would the person recognise themselves in our caption?Framing can misrepresent experience.
Are we using a stock image that fakes a local scene?False evidence damages credibility.
Have we credited the creator?Attribution respects labour and helps the audience check sources.

Design review

QuestionYour notes
What does the eye see first, and is that the main message?
Which element could be removed without losing meaning?
Does the image prove something or merely decorate?
Is the type readable at the intended distance?
Does the message work for someone who cannot see the image?
Is every person shown with consent and dignity?

Next, check the facts behind the campaign with research and source evaluation.