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LESSPLAN
Mr. Heneghan • Secondary English & Lit
← Persuasion packet

Campaign Strategy

Year 9 HEAP • Persuasion • Strategy

A campaign is not a poster. It is a plan to change what a specific group of people knows, believes or does. The poster is one move inside that plan. Strategy is the work of deciding which move matters most.

The strategy sentence

Because [problem], we will persuade [specific audience] to [specific change] by [message and channels], and we will know it worked if [indicator].

If any part of the sentence is vague, the campaign is not yet planned. "Raise awareness" is not a change. "Make people care" is not an indicator.

From problem to change

ElementWeak versionSharper version
Problem"Our school is not sustainable.""The canteen throws away about two bins of edible food each lunchtime."
Audience"Everyone at school.""Students in Years 7 and 8 who buy lunch, and the canteen manager who sets portion sizes."
Change"Care more about waste.""Choose the smaller portion option and tell the canteen what they would actually buy."
Message"Waste is bad.""Take what you will eat, and tell us what you would actually buy."
Channels"Social media.""A two-week noticeboard poster series, two mentor-group announcements and one canteen feedback box."
Indicator"People liked it.""The number of smaller portions chosen and the number of completed feedback cards, counted before and after."

Theory of change

A theory of change explains why the campaign should produce the result. It is a short chain of if-then statements, not a wish list.

If we...then...because...
Show students the daily waste auditthey will see the scale of the problemthe number is concrete and close to their own lunch
Offer a smaller default portionmore students will finish what they takethe barrier is portion size, not unwillingness
Ask for one written suggestionthe canteen will know what students wantthe change must fit what people will actually buy

Each link can fail. Maybe students already know about the waste but cannot change the portion. Maybe the canteen cannot source smaller containers. A good strategy names the weakest link and tests it early.

Audience segments

SegmentWhat they needWhat they might resistBest channelSpecific ask
Students who buy lunchA quick, low-effort choiceFeeling blamed or monitoredPoster at the canteen, peer announcementTry the smaller portion once
Canteen staffEvidence that the change is workableExtra cost or wasted stockShort briefing with dataTrial one item for two weeks
FamiliesClear information about the changeConcern about value or hungerNewsletter itemDiscuss the trial at home
School leadershipA safe, resourced proposalRisk, workload, complaintsOne-page briefApprove a bounded trial

Do not address all segments with one message. The same campaign can have a student-facing poster, a staff briefing and a family note. The core claim stays consistent; the emphasis changes.

Channels and fit

ChannelStrengthLimitBest for
PosterVisible in a specific place; works without devices.Limited detail; easy to ignore after a week.One clear message and one action.
Speech or announcementHuman voice, immediate response, can adapt to the room.Lost if the audience is absent or distracted.Framing the issue and introducing the ask.
Short videoCombines image, sound and story.Time-consuming; easy to misread without context.Showing a process or a before-and-after.
Social postFast reach and sharing.Algorithmic reach is unreliable; context collapses.Reaching people already connected to the campaign.
Conversation or stallQuestions can be answered immediately.Fewer people reached; relies on volunteers.Testing objections and gathering feedback.
NewsletterReaches families directly.Low read rates; one-way communication.Explaining a change and its rationale.

Resources and constraints

One-page campaign brief

FieldYour plan
Issue and evidence
Specific audience
Desired change
Core message
Three reasons
Strongest objection
Channels and timing
People and permissions
Success indicators
Ethical safeguards

Common errors

Next, shape the campaign's look and sound with rhetorical devices and visual and media rhetoric.