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Mr. Heneghan • Secondary English & Lit
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Research and Sources

Year 9 HEAP • Biographies • Research

Research is not collecting everything ever written about a person. It is answering a focused question with evidence strong enough to support the account you want to write. A good source log does more than list websites: it records where each claim came from and how much weight it can bear.

Start with a question

A research question turns a subject into an inquiry. “Everything about my grandfather” is not a question. “How did my grandfather's work at the railway yard shape the way he talks about safety?” is. A focused question tells you which sources matter and which can be left out.

Too broadMore focusedWhy it works
Who was Mara Chen?How did Mara Chen persuade the council to fund the community garden?Names a problem, a context and a line of evidence.
What was life like in the 1970s?How did one family's move to a new suburb change their daily routines?Narrows the period and the perspective.
What did my grandmother do?What did her working life reveal about the opportunities available to women in her town?Connects a life to a wider context.
Why is this person important?How did this person's work change the way a local service was run?Makes “importance” specific and arguable.

Primary and secondary sources

TypeDefinitionExamplesUse and caution
PrimaryMaterial produced at the time or by a participant.Diaries, letters, photographs, interviews, minutes, objects, public records.Close to experience, but shaped by the moment and the maker.
SecondaryMaterial that interprets, summarises or analyses primary material.Histories, biographies, articles, documentaries, museum labels.Provides context and synthesis, but may repeat errors.
TertiaryReference works that summarise secondary material.Encyclopaedias, dictionaries, timelines.Useful for orientation, weak as sole evidence.

The same item can be primary for one question and secondary for another. A 1980 newspaper article is primary evidence of how the event was reported at the time, but secondary evidence of what happened.

Evaluating a source

QuestionWhy it mattersWhat to record
Who made it?Authorship shapes perspective and access.Name, role and relationship to the subject.
When was it made?Contemporaneous and later accounts do different work.Date or approximate date.
For what purpose?A celebration, a legal record and a private letter have different aims.Genre and occasion.
For whom?Audience shapes what can be said and how.Public, private, official or family audience.
What is the context?Historical conditions shape what is recorded and what is omitted.Place, institution and period.
Can it be corroborated?A single source may be mistaken or interested.Other sources that support or conflict.
What is missing?Silences can be as revealing as statements.People, places or events not mentioned.

Where to look

SourceWhat it can showLimitation
Family collectionsPhotographs, letters, objects and oral memory.Selective, undated and sometimes disputed.
Local libraryLocal histories, newspapers, directories and reference works.Coverage varies and catalogues can be incomplete.
Archive or records officeMinutes, correspondence, registers and official files.May require appointments and careful handling.
Newspaper archiveDated reports, photographs and public debate.Shaped by editorial priorities and deadlines.
Public recordsBirths, deaths, marriages, land, employment and migration.Official categories may not match lived experience.
Organisation recordsMembership, minutes, events and correspondence.May be closed, incomplete or written for internal purposes.
Maps and plansPlace, movement and change over time.Need interpretation and dating.
PhotographsPeople, dress, work, place and relationships.Framing, posing and missing context.
InterviewsTestimony, voice and interpretation.Memory, rapport and question design.
Approved digital collectionsDigitised records and curated context.Search results are not the same as the whole archive.

Source log

Record each source while you use it, not afterwards. A source log should let another person find the material and understand why you trusted it.

FieldWhat to record
Source numberA short label such as S1, S2 or S3.
Creator and titleWho made it and what it is called.
TypeLetter, photograph, interview, newspaper article, public record, history.
DateExact date, approximate date or “undated”.
LocationArchive, library, website or personal collection, with a stable reference.
What it saysTwo or three sentences in your own words.
Useful detailA short quotation, page number or image detail.
Reliability noteWho made it, why, and what needs checking.
Links or conflictsWhich other sources support or contradict it.

Following a lead

Suppose you are researching a fictional community centre called Harbour Lights. A plaque says it opened in 1985. A council report from 1984 says the building was “expected to be ready for the summer program”. A newspaper article from 1985 describes a fundraising morning tea. An interview with a former coordinator recalls that the centre opened “the year of the big storm”.

StepWhat you doWhat you learn
1Check the plaque and the council report.The building was planned before 1985 but the opening date is not settled.
2Find the newspaper report.It gives a date and a public account of the opening period.
3Ask the former coordinator which storm they mean.The memory may link the opening to a later event.
4Look for a dated photograph or program.A program can provide a specific date and names.
5Write a qualified sentence.“The centre probably opened in 1985, although one recollection places it earlier.”

Gaps and silences

Archives are not neutral. They preserve what institutions considered important, what someone had the resources to keep, and what survived. A missing record does not prove that nothing happened. It may mean that the event was not officially recorded, that the record was lost, that the person was excluded from the categories used, or that the family chose not to keep it. Ask why a gap exists before filling it with invention.

Fact-checking checklist

Common errors

Next, decide how to shape the material through structure and chronology.